Kuruvi - A first feel of the music

Happy New Year : Sunidhi Chauhan,Yogi B, Dr Burn

What starts out as an ECR Resort Pub Song, quickly takes a U turn to Triplicane and stays there for most of the time. The "pick up" in the middle of the song might suit the flow of the movie, but does not seem to fit in the flow of the song. Sunidhi Chauhan has given a powerful performance to boost the song in its "urban-koothu" culture.

Dandaana Dama : Sangeeth Althpur

Obviously the introduction song for the hero, with a very good "build-up" piece. Sangeeth's voice fits perfectly with Vijay's personality. The lyrics does not seem to give anything new, or atleast does not give the feel of a newly written "build-up" song. Cudnt expect anything other than expecting Vijay to do some (obviously good) dancing and lots of "hero-image-stints" like the resting stork pose or something similar.

Thaen Thaen: Sung by Udit and Shreya Goshal

A typical Vidyasagar peppy melody. A nice arabic styled beat to go with the flowing voices of Udit and Shreya. Udit's awful pronunciation of the language does not deter the song from its melody and style.

Palaandhu Palaanadhu : Vidhyasagar, S Rajalakshmi

Lots of punjabi thump, with a touch of arabic pop finishes here and a bit too much of voice-slazing (which goes to the point of irritation). This song was pretty irritating the first time, but the pain subsided from the next time.

Theme Music : Praveen Mani,Dr Burn,Renina,Suvi

Part 2 of Ghilli's "Kabbadi" Theme Music. The first half of the song is more of a rock song while the second half quite majestically transforms to madras' local rhythm style

Mozha Mozhannu : KK , Anuradha Sriram

From rumours, I heard that this will be an item song with Malavika.  In that case, the starting lyrics fits the bill perfectly. Although the song's theme words gives an "uneasy" feel, the other lyrics does not make you squirm. A gana song, vidyasagar style.

Thaen thaen is for car stereos, Mozha mozhannu is for midnight masalas, and the rest for all FM channels and music channels.

Mokkai Podathey

The cast read like this.
Movie : Satham Podathey
Director : Vasanth
Hero : Prithviraj
Music : Yuvan Shankar Raja

So, here I was waiting for the show to begin. The theatre is almost full (mainly becos, there is a India-Pakistan Twenty20 Match going on right now). I must iterate here that I am a big fan of Yuvan, and so was expecting a good output in the background score.

The gist goes something like this; Nitin is such a seasoned drinker that he has become a "senior citizen" in his 20s. So, he shouldnt be getting married. But, driven by the "manly" powers, he cheats Navya's family into marrying him. And later, the family finds out. Divorce happens. By this time, major part of first half is over. Now, comes Prithviraj and they love and marry. But, the villain is not to be left alone. So, what happens forms the second part.

The moment the movie started with Nitin Sathya approaching the heroine's family and getting married to Padma Priya. The first 5 minutes were engrossing, but after that I wished I was home watching the match. I was not able to judge the winner of the "most painful feature" in the movie. The contestants were the cinematography, screenplay and choreography.

I couldnt decipher the idea of projecting prithviraj as the hero of the movie. The director could have as well put him in the "guest performance" role and put Nitin as the hero/anti-hero. I heard Padma Priya got dehydrated most of the days during shooting becos of the amount of crying and shouting she had to do. Anyways, the one point I wanted to enjoy was the background score. It was awful. The score was ok. But, coupled with the horrific screenplay, it rarely matched the on-screen proceedings. I think yuvan must have had simliar pains when he saw the movie for background score.

The only hightlight of the movie was the audience. We had a good percentage of young guys in the cinema hall. Their comments and feedback over the course of the movie was what pulled us through till the end. I however started having a headache as soon as the second half started, and my wife and I had to rush out at the fag end of the movie to save our lives. Choreography was done in such a way that even prabhu deva would have looked like a bad dancer.

This movie taught me a lesson NOT to go to a movie just based on technicians' skillset. And for giving such a good lesson, I give it ONE star.

FIR - Chennai 600 028 - Movie Songs

I am a big fan of Yuvan Shanker Raja. Mainly because of his success although he is not as proficient in the techicalities of western music as his father or his brother. He has come to define the taste and the style of the current generation of youth and music.

A total youth force has come into the team of Chennai 600028. And Yuvan Shanker Raja has done it again here. He has lived upto his reputation of ringing in peppy numbers. With generously interspersed rap-style interludes, most of the song are bound to reach the Nxt-Gen.

Am taking the order of songs listed in the movie's website.

Ulle Vaa - A Hip-hop beat, a rap kick-off and yuvan's voice. Do you need anything more to give a dance song? Instead of musical interludes, a Yogi-B style tamil rap fills the song.


Un Parvaimele - Sung by Vijay Yesudas. Its a bit hard to term this song as a melody, what with the rhythm section making the otherwise melodious tune a funky one. Vijay Yesudas' voice loses its distinctiveness in this song, mainly because of the pitch of the song (pitch compared to vijay's default voice scale). Another good song.

Yaaro (love) - SPB , Chitra. The voice pair which once ruled the tamil industry with innumerable hits come together for this melody tune, again with a peppy beat, though not as peppy as the previous song.

Vazhkaiye yosingada - Ranjith, Tippu, Premji Amaran, Haricharan, Karthik. A fun song with again a peppy rhythm with the harmonium (or is it an accordion) piece the highlight. I guess this to be a song sung by friends.

Oh Oh Ennamo - Sung by anushka, the only song without peppy rhythm. This comes in the category of "vaseegara", "Onra Renda" type of songs. Anushka's voice kneads the lyrics nicely to give the desired "hot" effect. I dont know if this will reach the tamil mass as "vaseegara" or "onra renda" due to its westernized feel. Definitely NOT a "family" song ;-)

Natpukulle - YSR. A full blown YSR song. Lyrics, orchestration and sung by YSR. A typical music director song. A pure melody and like a jingle, the song closes before it ends.

Here, I have to tell; all the songs composed and sung by music directors are ALWAYS a super hit. And most of these songs almost always rely on guitars to enhance the beauty of the song. Here are some of the examples.
ARR - Mustafa in Kadhal Desam, Vellai Pookal in Kannathil Muthamittal, New York in Sillunu Oru Kadhal, etc etc
YSR - Oru Naalil in Pudhupettai, Yeno Kangal in Kalvanyn Kadhali, Kannai vittu in Pattiyal, Yen Kannodu in Arinthum Ariyamalum, etc, etc.
Jassie Gift - Lajjavathiye in 4 students
Baradwaj - Roja Kootam in Roja Kootam

Vazhkaiye yosingada (remix) - As of the original was a melody, this had to be done. Nowadays, remix songs are being done for the sake of remixing. With a heavier rhythm and more synth sound to fill the background, there is nothing more special to update on this song other than being a pub song.

Yaaro (friendship) - This version of the song fares far better than the SPB, chitra starrer, with a more pumpy rhythm and a good tune. Till I see the movie, am going to maintain that YSR just lost interest to compose a new tune for the movie and stuck to the other tune. Atleast he used his own compositions rather than using the xerox machine.


Saroja Saman Nikalo - THE audience song. Its "adra adra adra adra" right from the start. A nice mix of raw tamil rhythm and heavy rock instrumentation. I dont whats with the voice of Shanker Mahadevan, but it just blends into the song and adds to the tempo nicely.

In all, a definite success among youth anywhere. Hats off to YSR.

Joe